Cursed and Crossed

C’est un champ de transformation que forge Charly Ange Fogaroli avec ses comparses en corps, en voix, en sons... Un univers abreuvé de cinéma d'horreur, pétri de subcultures, où cohabitent solitude, excès et vibration collective. Une ode aux monstres qui s’affirment et se déploient, à leurs mutations émancipatrices. The iconography of horror, dark romanticism and subcultural aesthetics form the bedrock of Cursed and Crossed. A meeting of multiple identities, defying convention, amplified rather than concealed. A figure of excess, too much, of outburst, in this work the monster is freed from its metaphorical role to be revealed as a physical state. And so, becomes “a queer technology: a way of transforming shame into force, melancholy into volume, solitude into shared intensity”, as Charly Ange Fogaroli explains.Full of tensions and diffractions, silences and detonations, a landscape is outlined, unstable and fascinating, a tableau vivant in chiaroscuro form, marked by impalpable boundaries, inhabited by five hybrid presences, so many singular relations with figures of horror, united in a community of rebellion.